![]() ![]() I'm pretty sure he meant that the positive response was supposed to start in the locker room first and then filter out through the fan base, but it's certain that this was a well-thought out plan by the players as another sign of an intended turn around. When I told him that after I posted it on Twitter that it had a bigger positive response from the fans than anything involving the game, he laughed and said, "That's the idea." ![]() I followed up with Hartnell and he had a similar smirk on his face when he said, "It wasn't just me… it was a few of the guys who requested the change." ![]() "It wasn't me," Giroux said with a knowing smile. I tried to ask both of them about it after the game, and neither really wanted to talk about it - probably because it might screw with the karma of the song, and you know how superstitious hockey players are - but both did acknowledge that it wasn't an accidental change. I was told by someone who would know, that the request to switch songs from Redfoo's "Bring out the Bottles" back to "Knock Knock" was made by two people - Claude Giroux and Scott Hartnell. So, why not celebrate it for a few minutes in an old way - one that garnered so much publicity during their time on the HBO documentary 24/7: Road to the Winter Classic. It's not like Sunday's 3-2 win over Buffalo was a thing of beauty that's going to propel them on some Blackhawkian winning streak - although you never know what the butterfly effect can do in the sport of hockey - but it was a start, a necessary start - a season-saving start. #Knock hockey mac#They needed to get their groove back.Īnd if playing a catchy Mac Miller song after wins helps them find that groove just a little bit more, then so be it. The Flyers, not happy with their performance of late, or their precarious position in the playoff race, felt like they needed to get back to doing things that made them successful. Now, it might not be a big deal to a lot of people - after all it is just a song - but if there is any morsel of real meaning behind it consider this: but the Flyers ditched their 2013 game-winning song and went a little old school. although coach Peter Laviolette will tell you that it's that kind of jam that leads to this kind of locker room celebration. PS> This may require that the goalie and corner pieces need to be correctly positioned.No not that jam. All other shots we would just use our thumb on top of the checker and flick forward. we had a rule that If you could touch the checker and the wall at the same time, with the same hand (spreading your fingers) you could move the checker over to the wall and shoot from there. Place a checker against the wall (lets say the right wall), put your right thumb against the left side of the checker while your other fingers are on the outside of the same wall (basically pressing the checker in to the wall), then squeeze the checker till it shoots forward. You can shoot the checker along the wall and have it ricochet off the corner and then again off the goalie square and POW! a goal, in one shot. Why is it better that way you ask? Our favorite part of the game was the corner/goalie combo shot :) HUH you say? Check this out. We used to play it without the sticks and a plastic checker instead of the puck. I used to play this game daily at the youth center as a kid. ![]()
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Wiley is a global provider of content and content-enabled workflow solutions in areas of scientific, technical, medical, and scholarly research professional development and education. The electronic version of The Russian Review isĪuthorized users may be able to access the full text articles at this site. #Treason and espionage definition archiveJSTOR provides a digital archive of the print version of The Russian With any national, political, or professional association. The Russian Review is an independent journal, not aligned The rise and decline of the Cold War and the ultimate collapse of the Soviet Its articles manifest the changing understandings of Russia through Of the continuing evolution of the field of Russian/Soviet studies in NorthĪmerica. Well as reviews of an extensive range of new publications.įounded in 1941, The Russian Review stands as a chronicle Each issueįeatures original research articles by established and upcoming scholars, as Of the peoples of the former Russian Empire and former Soviet Union. To the history, literature, culture, fine arts, cinema, society, and politics The Russian Review is a multi-disciplinary academic journal devoted ![]() ![]() ![]() I finally arrived at working with Rodinal at 1+50 and halved the agitation during development. The one downside of Rodinal is that it takes quite a long time to develop your roll, so I initially tried working with a 1+25 solution, which halves the development time, but I also found that doing so increases grain, and that cost me another roll of photos. Rodinal, on the other hand, requires just a 1+50 mix, although I also got caught as I arrived at that. ![]() You also have to use much more of it, with a 1+4 mix ration, which helps with the shelf-life problem if you develop film often, but still, I found that I was both going through too much of it, and sometimes throwing it out because it had crystalized too much and basically gone off. Although I liked the results I was getting with Ilford DDX, I was throwing it out occasionally because of the relatively short shelf-life. I didn’t find this out though until I’d damaged a number of rolls of film, and also, on recommendation from a kind reader/listener, I made one last change, which was to switch my chemicals again, this time to Adox Rodinal. The Lab-Box tutorials said that you need to agitate more often, and more rigorously, which is what I was doing, but as I looked into the cause of my over-grainy images I found that this can cause more grain, and sometimes streaks on the images, which I was also getting. The main reason though, I’d come to find, was probably agitating the film too often during the development process. I’d been using Ilford DDX, which is a very nice developer, but I tried Ilford Perceptol, and found it more difficult to get good results, but that was partly because some of my winter scenes were a little too bright. The problem was compounded by the fact that I started to experiment with some other developing chemicals, and I guess I learned that you don’t experiment when shooting film on important shoots. As one of my incredibly knowledgable participants on my January Hokkaido Landscape Tour shared with me though, for film, you have to protect the shadows rather than the highlights, and therefore I find that I’m not exposing the same way with film and that is more important with snow scenes, because of all the white, although in general, my exposures were just about spot on. What happened was a combination of various factors that actually did make my images too grainy, so I’ll briefly cover that too.īasically, for some of my winter snow scenes, I was essentially over-exposing my images a little, because with digital I get better quality images by exposing to the right. I initially was not happy with the results I was getting from SilverFast 8 as I thought it was too grainy, but I’ve been able to get over that to a degree. we’re talking a couple of bucks per photo, so it keeps you relatively careful about releasing the shutter each time, although I will, of course, still opt to grab a photo and throw it out if necessary, rather than hesitating too much about the cost.Īlthough I’ve been using SilverFast 8 to scan my film for the last six months, I realized last week that I had not talked about it here on the blog and podcast, so I’d like to do that today. As I shared last week, one roll gives me just 12 frames, and with developing costs etc. After a fair amount of research I decided to go for the CanoScan 9000F Mark II scanner, the main reasons for which are the ability to get very high resolution scans of my 6 x 6 cm medium format negatives on 120 film. The Rollei and Lab-Box have brought it all back around for me, so I will occasionally shoot film for the pure joy of it, and being able to come home and process my film myself is the icing on the cake.īack in episode 690 I also talked about the scanner that I bought late last year because my old Epson scanner had given up the ghost. The Rollei was a replacement for my old Yashica TLR camera, which I still have, but the few drawbacks in its design and the difficulty and sometimes pure panic of working with the dark bags that I reported on around four years ago, had caused my interest in film to dwindle again for a while. About six months ago I posted about my Rolleiflex F3.5 Twin Lens Reflex camera, and how the ability to develop film in broad daylight with the Lab-Box had contributed to a rekindling of my love for film. ![]() ![]()
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